Islamic Calligraphy

Islamic calligraphy, colloquially known as Arabic calligraphy, is the artistic practice of handwriting, or calligraphy, and by extension, of bookmaking, in the lands sharing a common Islamic cultural heritage. This art form is based on the Arabic script, which for a long time was used by all Muslims in their respective languages. They used it to represent God because they denied representing God with images. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur'an. Suspicion of figurative art as idolatrous led to calligraphy and abstract depictions becoming a major form of artistic expression in Islamic cultures, especially in religious contexts. The work of calligraphers was collected and appreciated.
Arabic, Persian and Ottoman Turkish calligraphy is associated with abstract arabesque motives on the walls and ceilings of mosques as well as on the page. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work.

Calligraphy has arguably become the most venerated form of Islamic art because the Arabic script was the means of transmission of the Qur'an. The holy book of Islam, the Qur'an, has played an important role in the development and evolution of the Arabic language, and by extension, calligraphy in the Arabic alphabet. Proverbs and complete passages from the Qur'an are still active sources for Islamic calligraphy.
The different writing styles of the Arabic alphabet are generally divided between geometric scripts (basically Kufic and its variations) and cursive scripts (such as NaskhRuq'ahThuluth...)
Kufic is a cleaner, more geometric style, with a very visible rhythm and a stress on horizontal lines. Vowels are sometimes noted as red dots; consonants are distinguished with small dashes to make the texts more readable. A number of Qur'ans written in this style have been found in the Mosque at Kairouan, in Tunisia. Kufic writing also appears on ancient coins.
The Maghribi script and its Andalusi variant are less rigid versions of Kufic, with more curves.

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